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Summary
For a long time, Castiel thought that every earthly possession other than the immediately necessary was excess to requirement. But Dean – Dean who named his car, who keeps a photograph of his mother in his wallet, some thirty-plus years after her death, who still has the crumpled ‘Do Not Disturb’ sign with a sleeping pelican emblazoned on it from the Microtel outside of Roanoke where he first kissed Castiel, clumsy and unsure, under the unsteady fluorescence of an exhausted bathroom bulb – is sentimental.
It puzzles Castiel, where Dean draws the line between what is meaningful and what it is worthless.