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Merlin has spent fifteen hundred years waiting for Arthur Pendragon to return.
When it finally happens, Arthur is arrogant, spoiled, and convinced that Arthurian legend is a complete waste of time.
Naturally.
As if that weren't enough, the rest of the knights begin turning up, Sir Leon starts writing him impossible letters from the sixth century, and a series of increasingly disastrous events threatens to upend all of their lives.
Merlin always thought the waiting would be the hard part.
He was wrong.
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Merlin has been waiting for a long time...
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In the quiet days between Christmas and Epiphany, Crowley finds himself dragged into Aziraphale’s favourite traditions: reading dreadful poems, over-catering, and buying far too many presents for other people. Crowley has never seen the point of gifts, until he realises there’s something Aziraphale has never had.
So he comes up with a plan. Twelve days. Twelve gifts. One very old song.
Unfortunately, Aziraphale is so busy enjoying himself he completely misses the point.
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Anagnorisis (noun)
/ˌænəɡˈnɒrɪsɪs/A moment in a narrative, especially in classical tragedy, when a character makes a critical discovery or realisation—typically concerning their own identity, the true nature of another character, or the actual situation they are in. This recognition often leads to a reversal of fortune or a significant emotional shift.
Aziraphale returns to Earth hoping for reconciliation, only to find Crowley wounded and unwilling. Through cups of lukewarm tea, missed calls, Jane Austen debates, strange gifts, confessions and a disastrously mystifying mobile phone, they navigate centuries of heartbreak, guilt, and unspoken love. It’s a slow-burn story of two celestial beings learning to speak plainly—about books, biscuits, and eventually, their feelings. Full of angst but softened by humour, tenderness, and literary references, this story builds in intimacy moment by moment toward an emotional and explicit anagnorisis.
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Sequel to The Price We Pay for Love and Paved with Good Intentions. Reading either (or both) isn't compulsory, but it would help! You never know, you might even enjoy it!
After Aziraphale’s return to Heaven, he hides a dangerous rebellion against the Metatron, risking everything to free God and restore balance. On Earth, Crowley struggles with anger and heartbreak, rebuilding the bookshop and his purpose. When cryptic messages pull Crowley into a dangerous plan spanning time, both must confront their love and sacrifices to rewrite the fate of Heaven, Hell, and Earth.
Rated to allow for artistic freedom! Don't worry, it will all be fine in the end.
Series
- Part 3 of The Hours Between Us
